A History of the Epergne

There in the center of the dining room table, framed by two Corinthian column candlesticks with leaf-clad bypass branches, was a Georgian epergne.  Its shell feet and foliate scroll legs rose to support a wide open skirt of garland swags.  Eight scrolling arms held, alternately, hanging baskets and circular plates, and a saw-pierced column supported a boat-shaped center basket.  The large center basket and the smaller hanging ones overflowed with beautifully-arranged flowers, while the plates displayed arrangements of small fruits and berries (the tiny toothpicks holding the fruit and berries in place made it quite obvious that they were not intended to be served that evening.)  The epergne provides a great theater for the silversmith’s craft, but were my host and hostess aware of its original use?  Of course they were.  They were both serious collectors of Georgian and Early American silver.

By the eighteenth century entertaining had developed into a grand art, and the English epergne can claim a strong link to seventeenth century France and the great changes in manners which began with the French Court.  This revolution greatly affected the silversmith’s output, and led to many of the articles common to the twenty-first century table.  For example, foods that had previously been eaten from a common bowl with either fingers or bread came to be eaten with spoons and forks from individual plates, and by the late 1600’s there existed different plates for different foods.  Further, individual chairs replaced benches at the table.  Before the close of the century silversmiths found themselves making large matching services for their aristocratic patrons.  A new emphasis on decorating the table led to the development of the centerpiece.

The earliest ancestor of the epergne was the surtout, a center tray holding casters, salts, oil bottles, etc., made in silver, silver-gilt, gilt bronze, ceramic, and combinations thereof.  A closer relative, introduced a bit later but which coexisted with the surtout, was the fruitier, and it usually replaced the surtout toward the end of the meal.  The fruitier was a tiered centerpiece with bowls for sweetmeats, which sometimes held sugar casters.

The word epergne is taken from the French epargne, meaning economy, and originally bore the more anglicized spelling aparn.  The English epergne economizes in two ways.  First, in the saving of precious space:  The prevailing custom of service at the time required that much of the food be put on the table at once.  Guests entering the dining room found the food in place, usually in covered entrée dishes (the dishes sometimes made with a hot water chamber), one or two kinds of fish, and one or two soup tureens.  Further, around 1760 it became fashionable for the host to carve the bird or joint of meat at the table.  The second way in which the epergne economized is that it made for the thrifty use of rare nuts, fruits, condiments, and other luxuries from the tropics or the East.  Guests would serve themselves from the epergne, and delicacies that were not eaten were left on the centerpiece, rather than being wasted when the plates were cleared.

Records show that the epergne first appeared on the English table around the 1720’s, but there are no extant examples from that period.  An inventory of Whitehall, circa 1725, mentions an “aparn containing one table basket and cover, one foote [sic.], four salt boxes, four small salts, four branches, six casters, four sauce boats.”  The earliest epergnes were large and elaborate, with a wide center column, often with heavy cast feet decorated with masks, supporting detachable arms with flat plates, hanging baskets and candle sockets.  Examples in the rococo style were still great in overall size, but light in look, with more pierced decoration.  The last quarter of the eighteenth century saw epergnes in the neoclassical taste, and examples with silver frames and glass bowls appeared around 1770.

There are references to silver epergnes in eighteenth and early nineteenth century Virginia. For example, the inventory of the estate of General Thomas Nelson of Yorktown lists a “Silver Epergne weighing 92:19,” and Richard Corbin of Laneville purchased from the London jeweler and goldsmith Richard Davis “an Elegant Epergne wh Branches and Large Bason [sic.] at Top.  Thomas Jefferson gave a glass epergne to Martha Burke Jones when, in 1809, she married John Wayles Eppes.

Epergne in the rococo taste, sterling silver, Maker’s mark of Emick Romer, London, circa 1763
Epergne in the rococo taste, sterling silver, Maker’s mark of Emick Romer, London, circa 1763

During the Georgian period many foreign artists and silversmiths emigrated to England, and these foreign-born “English” silversmiths left their mark on the history of the epergne.  One such example is Emick Romer, who was born in Halden, Norway.  He was apprenticed in his native country in 1749, and emigrated to London in the 1750’s.  He appears to have entered his first mark in Goldsmiths Hall circa 1758.  


Epergne in the neoclassical taste, sterling silver, maker’s mark of Thomas Pitts, London, circa 1789
Epergne in the neoclassical taste, sterling silver, maker’s mark of Thomas Pitts, London, circa 1789

A talented English-born silversmith known for his fine epergnes is Thomas Pitts.  Pitts was apprenticed to Charles Hatfield on December 6, 1737 and turned over to David Willaume II, son of a prominent French immigrant silversmith, in February of 1742.  His freedom is recorded in 1744, although he does not appear to have registered his first mark as an independent worker until 1758. 


Epergne, sterling silver and glass, in the neoclassical taste, maker’s mark of Matthew Boulton, Birmingham, circa 1808
Epergne, sterling silver and glass, in the neoclassical taste, maker’s mark of Matthew Boulton, Birmingham, circa 1808

Matthew Boulton’s Birmingham, England, factory, the Soho Works, produced epergnes in both sterling silver and old Sheffield plate.  These pieces usually combine silver or silverplate with glass, and are in the later, more architectural version of the neoclassical style.


The Victorian period saw the epergne relieved of its grand position of server.  The “new” style of serving, service a la russe, saw each course brought in separately, leaving more room for the display of flowers.  The late nineteenth and early 20th centuries saw a brief and limited revival of epergnes in the rococo and neoclassical styles, with some very good American examples made by the Gorham Company.  Still, these were intended for use as decorative objects, not for serving. 

Though a lot of epergnes must be viewed today behind the glass of museum showcases, there are, fortunately, many in private hands that are still brought out for special occasions.  I would love to take nutmeg offered by the outstretched arm of an epergne, or be served my dessert from its center basket the way our ancestors might have been, but I’ll settle for enjoying the beauty of the object and the lovely flowers arranged in it.


Joseph P. Brady

Silver Historian, 2009




Bayne-Powell, Rosamond, Housekeeping in the Eighteenth Century, John Murray, London, 1956


Blair, Claude, editor, The History of Silver, Macdonald & Co., London & Sydney, 1987


Brady, Joseph P., “The Epergne,” Silver Magazine, November/December issue, 1997


Davis, John D., English Silver at Williamsburg, the University Press of Virginia, Charlottesville, 1976


Flanders, Judith, Inside the Victorian Home, W. W. Norton & Co., New York & London, 2006


Grimwade, Arthur G., London Goldsmiths 1697 – 1837, Their marks & Their Lives, third edition, Redwood Press, Ltd., 1990


Hughes, Bernard & Therle, Three Centuries of English Domestic Silver, Frederick A. Praeger, New York & Washington,  1952


Stein, Susan R., The Worlds of Thomas Jefferson at Monticello, Harry N. Abrams, Publishers, New York, in association with the Thomas Jefferson Memorial Foundation, 1993


Wyler, Seymour B., The Book of Old Silver, Crown Publishers, New York, 1965



Silver in the Dishwasher? Of course!

Silver in DishwasherOne of the most frequent questions we are asked is “Can I put my sterling in the dishwasher?” OF COURSE YOU CAN!

Sterling silver flatware may certainly go in your dishwasher.   We do recommend a few modifications to your typical washing procedures to make sure your silver stays as bright as the day you bought it:

  • Rinse your silver under the faucet before you put it in the flatware basket.  This removes remnant food particles (particularly damaging substances like vinegar, lemon, or salt!) from your pieces to prevent any marring prior to the wash cycle.
  • Keep your silver flatware separate from any stainless pieces as they can scratch your silver.
  • Use a SMALL AMOUNT of detergent–and one with no lemon or citrus additives.  Pre-measured tablets tend to have too much.  A tablespoon (not even filling the cup designated) is plenty to clean your silver and dishes, while not causing them to yellow.
  • You may leave your silver in the dishwasher to dry with its drying cycle.  Opinions differ on this, but it is safe to do so.
  • KNIVES: If your knives are old–pre-World War II– wash them by hand.  Knives are formed from two pieces, the silver hollow handle and a blade.  The heat from the dishwasher can melt the resin used in older knives to seal the two pieces, causing your knives to break apart.

If your silver is turning yellow… you could be using too much detergent.  The bleach in the detergent may cause the discoloration.  Polish your silver to remove the yellow coloring and use less detergent next time!

So use your silver everyday!  And let your dishwasher do the work for you.

Asparagus Servers, their Origin and Use

Sterling Influences: Early Spring Stalks

Asparagus, in earlier centuries going by such names as “sparrow grass” and “sparagrass,” was cultivated by the Romans as early as 200 BCE.  Though consumption waned during the Middle Ages, it was revived during the reign of Louis XIV.  Thomas Jefferson sowed asparagus seeds at Monticello, and noted in his writings the vegetable’s first appearance each spring.  Mary Jefferson Randolph’s directions for cooking the dish were quite detailed, from scraping the stalks and correctly tying the bundles, to timing the cooking so as to bring out their “…true flavour and colour,” noting that “a minute or two more boiling destroys both.”1  The appearance of this harbinger of spring was cause for much celebration, and specialized servers were designed to enhance the experience.


"Yoked" asparagus tongs, London, circa 1846 (# 24437)
"Yoked" asparagus tongs, London, circa 1846 (# 24437)

The earliest asparagus servers date from the mid 18th century, and were scissor-like tongs with narrow corrugated arms.  As the 18th century gave way to the 19th, asparagus servers widened, taking the form of bow-back tongs with a collar or yoke – a form more commonly seen on the market today.



Individual asparagus tongs, London, circa 1909 (# 64809)
Individual asparagus tongs, London, circa 1909 (# 64809)








Hinged asparagus tongs fitted with a spring appeared in England, on the European Continent and in the United states by the mid 19th century, and by the late 19th century American silversmiths were making a very practical fork-shaped asparagus server.  These asparagus forks usually, but not always, had blunt tines, to prevent tearing of the delicate stalks, as well as a shovel-like curve. 


Asparagus fork, St. Cloud by Gorham (# 70570)
Asparagus fork, St. Cloud by Gorham (# 70570)


Specialty silver trays were eventually made for the serving of asparagus:  These were rectangular or oblong in form, with a pierced liner which kept the stalks from sitting in liquid.  And although it is quite correct to eat asparagus with the fingers, individual asparagus tongs were introduced in the 19th century, by silversmiths catering to either the self-conscious or to those Victorians wanting to demonstrate Man’s superiority over all other creatures.

Asparagus Tray, Gorham Mfg. Co., Providence, Rhode Island, circa 1915
Asparagus Tray, Gorham Mfg. Co., Providence, Rhode Island, circa 1915 (# 61472)

Hot or chilled, served plain, marinated, or with a rich hollondaise sauce, asparagus has been celebrated for centuries.


— Joseph P. Brady, Silver Historian, 2009

 1   Dining at Monticello, edited by Damon Lee Fowler, p 61

A new day, a new price of silver!

Much like the price of oil, gold, and stocks, the price of silver fluctuates every minute to reflect the bid and purchase of pure silver in the open market.  And, just like oil, gold, and stocks, the price of silver has been extremely volatile in recent months.

What does this mean for you?  It impacts the prices you pay for silver, the value of the silver you already own, and the potential price your silver might realize should you choose to sell.  For the collection you own, now may be the time to check with your insurance company and have your set reappraised.  If you haven’t had it evaluated, especially since a marriage long ago or an inheritance, now could be the time to ensure that your collection is properly accounted for. 

We use Kitco.com to follow the price of silver, and we do look at it every single day.  Go here, http://www.kitco.com/charts/livesilver.html to follow along!

Tell us your flatware pattern!

Another function of this sourcing of new information is utilizing new ways to retrieve and respond to new requests quickly, effectively, and easily.  If you have a silver pattern you are collecting and you are missing a piece, let us know!  We keep customer patterns on file and send you regular inventories (or by request) for our current stock in your pattern.  With over 1,200 patterns in stock, we are bound to have what you might be looking for or else never knew you needed! 

To register to receive your pattern :  CLICK HERE

Or, to just be added to our email list: CLICK HERE

All items featured here on this blog are pieces of stock for sale in our store.   Our most popular patterns will show or feature more frequently–please help us know what you would like to hear about!

Let your sterling silver education begin–Welcome!

our logo for over 30 years!
our logo and your source for sterling silver flatware, sterling holloware and silver antiques for over 30 years!

Sourcing information about the history of sterling silver in the United States is difficult task.  Changing technologies and new ways that people search for information and collectibles have led to the creation of this blog by one of America’s prominent retailers of secondhand sterling silver flatware and holloware.

One thing is certain – the shop’s founder is like her own best merchandise: unique and malleable, an enduring symbol of both a forebear’s gift and a future bequest, its value and beauty only increasing with time.

The value and inherent beauty of sterling silver has led to its fascination for generations past and future owners.  Let this blog be a source for information for the use, style, manufacturers, and users of sterling silver.

More examples, photographs, and items for purchase may be found on our shop website: www.beverlybremer.com .  Please peruse!

We look forward to having you learn with us–visit often!  Please comment or email us with any thoughts or questions you may have: sterlingsilver@beverlybremer.com!